A hopscotch with artistic merit, a puzzle without a story, a game that fuels the desire for exploration and has no textures: Naissancee is unusual. Our test including video review shows that sadness can be beautiful, that fairly distributed storage points are worth gold and that it is never a good idea to ask the players precision jumps from a first person perspective - unless the game is called Mirror's Edge.
Naissancee combines a failed graphic style with puzzles and Hüpfeinlagen.
Naissancee combines a failed graphic style with puzzles and Hüpfeinlagen. [Source: See picture gallery]
The journey is the destination - this rare wisdom has better fit than one game at Naissancee. The indie project based on the Unreal Engine and was chosen by the players via Steam Greenlight in Valve's online store, dispenses entirely on a typical plot and a right action statements. Besides the obviously female protagonist who loses a single word during the five-hour solo campaign, there is still a mysterious, sinister beings that is reminiscent of the smoke monster from the TV series Lost.
The Nemesis of the heroine gets her story after the abrupt onset but only once all to see at the end - for some kind of boss "fight" ends the game on the most unspectacular way that you can imagine. Answers to questions which the player turns on his trip through Naissancee necessarily the supposed resolution does not deliver. So the atmospheric descent into the bowels of a fascinating city under the earth's surface must stand alone. Good thing this exploration trip with lots of boasts spectacular views and perhaps the most impressive level architecture of the last few years, making almost mention the absence of a story.
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